Title: THE GIRL BEHIND THE WALL
Author: Mandy Robotham
Read: November 2021
Expected publication: out now
My Rating: 🌟🌟🌟
Book Description:
A city divided.
When the Berlin Wall goes up, Karin is on the wrong side of the city.
Overnight, she’s trapped under Soviet rule in unforgiving East Berlin and
separated from her twin sister, Jutta.
Karin and Jutta lead parallel lives for years, cut off by the Wall. But Karin
finds one reason to keep going: Otto, the man who gives her hope, even amidst
the brutal East German regime.
When Jutta finds a hidden way through the wall, the twins are reunited. But the
Stasi have eyes everywhere, and soon Karin is faced with a terrible decision:
to flee to the West and be with her sister, or sacrifice it all to follow her
heart?
What attracted me to this book:
Having grown up in Europe with the spectre of the divide
between East and West very real to us (my grandparents lived near the then
Czechoslovakian border, with barbed wire and a minefield) I was very drawn to
the premise of this book. Robotham does well to explain some of the political wheeling
and dealing that took place around the construction of the Berlin wall, and the
impact it had on a city divided.
My musings:
Jutta and Karin, two young and vibrant Berliners,
made for enigmatic protagonists to take us on this journey and let us catch a
glimpse into the lives of ordinary citizens affected by this dark point in
history. By switching POV between both sisters, we got to see alternative
viewpoints that ultimately led to each sister’s fate. With a heavy emphasis on
the sisters, some of the more peripheral characters missed out on character
development, which made me question some of their decision making processes.
As with any historical fiction, it
is called “fiction” for a reason, and some suspension of disbelief was
necessary here. I would have liked to see more tension, because even as a child
I felt the fear people experienced when the Stasi were mentioned. Despite a few
hints at the dangers the sisters faced, I didn’t get this sense of utter terror
when they faced being caught. I also travelled to East Germany two years after
the wall came down, and the bleakness and despair was still palpable in many
places, and the contrast between East and West obvious in the drabness of the
buildings, the dire state of the roads and smaller, less obvious things that
struck us, like the “holiday camp” near a polluted lake that was totally
surrounded by barbed wire. I would have liked to get this sense of entrapment
and hopelessness from Karin, who would have experienced it firsthand.
This made the story a light reading
experience rather than one that packed a punch, which seemed like an
opportunity missed to me – but then perhaps this is what the majority of HF
readers prefer these days? I see that it has become a trend to steer towards
romanticising WWII for the sake of fiction, and I’m not a fan. There was so
much potential here to make this a tense, heart pounding story of two sisters
divided by a wall, but only ever skimmed the surface. For this very reason, a
few elements were implausible given the control and the reach the Stasi had at
the time, and their ruthlessness in pursuing anyone they deemed an enemy of the
state, plus their friends and families. I’m trying not to give too much away
here, but Jutta’s repeated exploits would have been discovered very early on in
real life, especially considering the risks she took. Okay, I hear you: “It’s
fiction!” you say, and as such it was a light, enjoyable read with the
background of a historical era that is fascinating and made for much
pondering.
Summary:
THE GIRL BEHIND THE WALL will appeal to readers who enjoy a lighter
brand of historical fiction that is hopeful and uplifting rather than delving
into the darker themes that defined the era. Postwar Germany is a time in
history that is not often covered in HF and made a nice change from the
multitude of WWII novels that have hit the shelves lately. If you are a reader
who prefers a heavier read, then I suggest reading CONFESSION WITH BLUE HORSES
by Sophie Hardach, which doesn’t shy away from exploring the more sinister side
of life in the GDR.
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