Expected publication: 4 April 2020
My Rating: 🌟🌟🌟🌟
“Perhaps telling lies is the only way to find the real truth.”
Book Description:
Madeleine d'Leon doesn't know where Edward came from. He is
simply a character in her next book. But as she writes, he becomes all she can
think about. His charm, his dark hair, his pen scratching out his latest
literary novel . . .
Edward McGinnity can't get Madeleine out of his mind--softly smiling, infectiously enthusiastic, and perfectly damaged. She will be the ideal heroine for his next book.
But who is the author and who is the creation? And as the lines start to blur, who is affected when a killer finally takes flesh?
Edward McGinnity can't get Madeleine out of his mind--softly smiling, infectiously enthusiastic, and perfectly damaged. She will be the ideal heroine for his next book.
But who is the author and who is the creation? And as the lines start to blur, who is affected when a killer finally takes flesh?
My musings:
I have always been irresistibly drawn to the “book within a
book” concept. AFTER SHE WROTE HIM, however, takes the whole idea one step
further, because here we potentially have two books within a book, and no idea
which one is reality and which one is fiction. If this totally confuses you,
then hey – give it a go! It certainly was one of the most original, intriguing
ideas I have ever come across, and it really messed with my mind.
Madeleine D’Leon is a lawyer and a crime writer of a
detective series that has been selling well and has many followers. One day,
despite her agent’s misgivings, she has an idea for a different type of story.
It all starts with Edward, her main protagonist, who appears to her out of the
blue and quickly takes on shape in her imagination. As she writes her story and
orchestrates his fate, the picture of him in her mind becomes more vivid, until
he is almost as real to her as a flesh-and-blood person.
Edward McGinnity is a writer of contemporary fiction. One
day he has an idea for a story involving a main character who is a crime
writer. He calls her Madeleine. As he writes and orchestrates her fate, her
picture becomes clearer in his mind, until she is almost as real to him as a
flesh-and- blood person.
Do you see where this is headed? Exactly! Now, who is the
writer and who is the fictional character?
Gentill introduces some very interesting topics here that
really made me think. One particularly pressing question was Madeleine’s
dilemma – with Edward becoming almost a friend to her (even though he is her
fictional character), she feels guilty throwing him into some nasty situations
in her crime story. As a writer, she becomes the orchestrator of his fate,
dictating his life by the whims of her imagination. Fascinating!
As the story progressed, I felt more and more unsure of the
line between reality and fantasy, a battle both Madeleine and Edward face. This
blurring of the boundaries between what is real and what is imagined, sanity
and madness, is something I really enjoy in a thriller, especially if it is as
cleverly handled as in this book. As we get sucked deeper into Madeleine’s and
Edward’s worlds, the story took on an almost dream-like quality where the
borders were no longer clearly defined, a real challenge for my analytical
mind!
Summary:
AFTER SHE WROTE HIM was originally published under the title CROSSING THE LINES, which I thought was a title that perfectly sums up the book! This clever, original and thought provoking mystery will appeal to people who enjoy thrillers that dare to blur boundaries, step into uncharted territory. Caution to readers who don’t enjoy alternating POVs that swap and change frequently, even within the same chapter. Personally, I thought that it added to the story, showcasing how the two characters become more and more enmeshed, but I think you should be aware. This was the first book I read in 2020, and as we say in Australia – what a ripper!
Thank
you to Netgalley and Poisoned Pen Press for the free electronic copy of this novel and
for giving me the opportunity to provide an honest review.
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