Title: The Burial Hour (#13 in the Lincoln Rhyme series)
Synopsis:
The Burial Hour is the 13th book in the Lincoln Rhyme and Amelia Sachs series, which has been offering intriguing
murder-mysteries with fascinating forensic details since 1997. In this latest
instalment, Sachs and Rhyme are about to get married and are trying to agree on
a location for their honeymoon – if Rhyme could only see the point of choosing
a romantic setting for this occasion. He is saved from this tedious chore by
being asked to help in the investigation into the abduction of a businessman by
a sinister perpetrator, who later posts a video online in which the victim is
being slowly strangled to the sounds of classical music – which consequently
earns him the nickname “The Composer”. The only clue the perpetrator has left
behind is a noose, fashioned out of cello string. But before Rhyme and Sachs can
close in on their suspect, a similar kidnapping occurs in Naples, Italy, with
the same trademark noose left at the scene. So instead of going on their
honeymoon, Sachs and Rhyme make their way to Italy to help the Italian
authorities with the case – whether they like it or not.
My thoughts:
I still remember the excitement of discovering the first
book in the Lincoln Rhyme series almost twenty years ago, and the nail biting
suspense as Rhyme and Sachs hunt the terrifying Bone Collector. At the time, I
was totally enthralled by the forensic details, and protagonists who were so
different from the usual fictional police detectives. Then followed a few years
of compulsively snapping up everything written by the talented Jeffery Deaver. Now it has been a few years
since I picked up a Lincoln Rhyme book, and I thought it would be great
revisiting this series. I loved that part of the Burial Hour is set in
beautiful Naples, adding a great armchair travel setting and some fresh characters
to the story.
Unfortunately, I think that the series may have run its
course for me. Apart from the armchair travel component, The Burial Hour did
not hold the same fascination for me that I remember from previous books, and
to be totally honest, I struggled to get to the end. Perhaps it is the simple
fact that the last twenty years have turned me into an old cynic who finds it
hard to suspend disbelief. I work in the health industry, which is not much
different from law and order when it concerns budget and staff cuts, and I
doubt that America is any different from Australia in that regard. So I wasn’t
far into the pages when I snorted my first big huff of disbelief when an
alleged kidnapping (only witnessed by a child) generates a full investigative team
consisting of the top forensic experts in the country, as well as every
forensic investigation the lab has to offer – stat! And no expenses spared! And
there isn’t even a body in sight anywhere yet. Riiiiight .... nope, I don’t
believe it. Ok, let’s cut the author some slack here and keep reading, since my
family always remind me when I snort in derision during some medical TV soap
when someone has once again shocked asystole: “Mum, it’s FICTION, get over it, OK?”
But the story continued in the same vein, without the redeeming features of
riveting, nail-biting suspense that may have distracted me from such blatant
violations of fact, and I admit – I couldn’t get over it. Petty? Perhaps, but
that is me.
I was also somewhat perplexed about the two main protagonists,
who I remember as interesting and engaging in earlier novels. What has happened
to Sachs and Rhyme in the last few years, to turn these quirky characters into
such two-dimensional, boring people? For me, there was absolutely no chemistry
between any of the characters, who gravitate around each other like planets
around the sun without ever actually touching emotionally. Why Sachs and Rhyme
want to get married eludes me – there wasn’t a tender moment or word between
them throughout the whole book. The only likeable character for me was the
Italian forestry cop Ercole Benelli, who unfortunately gets overshadowed by the
complicated and somewhat contrived political plot unfolding in the story later
on.
Summary:
The Burial Hour may appeal to die-hard fans of the series,
or readers who prefer a factual, somewhat unemotional read with a political
conspiracy theory as the main premise. I, however, am a reader who needs to be
able to forge an emotional connection to the characters in order to enjoy the
story, and I struggled throughout the book to stay interested. So how do I do
justice in rating a book by an author I have long admired and who so obviously
can write, but whose novel just didn’t hit the mark for me? Going solely on
enjoyment, I would give this book a 2-star rating, rounded up to 2.5 since it
is well written, with occasional snippets of dry humour hidden amongst its
pages. Sorry, but this one was obviously not the right book for me at this
time, and I don’t think I will revisit the series again if it continues along
the same trajectory.
Thank
you to Netgalley and the publisher for providing me with a free electronic copy
of this novel and giving me the opportunity to provide an honest review.
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